£150.00

Hawk Nest, Baby Kestrels

SKU: PMD0008
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Description

This is a fine art reproduction on Olmec Archival Matt paper 230gsm of an original Gouache painting by Paul MacDermot.

This was a nest in an Ash tree that Paul discovered in 1988 and he spent many hours observing the chicks as they grew and developed and eventually fledged

Rookwood Art & Print captures artwork images in digital format using high resolution photography / scanning, or works from high quality digital images provided by the artist.  We maintain careful colour management throughout the print production process to reproduce the colours used by the artist as accurately as possible.

We produce fine art prints using the giclée method of digital printing to the Fine Art Trade Guild standards: they are printed at minimum 300 – 600dpi resolution using an industry leading Epson SureColor P9500 printer with premium UltraChrome Pro12 inks which provide exceptional 99% coverage of the PANTONE solid-coated colour standard; and they are printed on an archival, acid-free heavy-weight paper to suit the type of artwork, in order to produce long-lasting high quality prints.  Independently rated by Wilhelm Imaging Research Inc. the UltraChrome PRO12 Inks result in prints lasting up to 200 years for colour and 400 years for black-and-white.

Original Artwork © Paul MacDermot

Image © The Artist & Rookwood Art & Print, Pembrokeshire Coast National Park.

 

Additional information

Dimensions 48.6 × 34.03 cm

Paul MacDermot

 I’ve been asked to write something about myself and have wasted a lot of time trying to think of a way of building a grand edifice out of a very small pile of bricks. The best thing you can do is visit www.paulmacdermot.co.uk and you will see some examples of subjects I like to paint, and how I paint them. There is no great intellectual superstructure behind what I do. The painting is just a simple response to seeing something I really really like.
I was given a little formal art tuition at school when I was 14 and 15 by an art master who was of the old tradition…he’d been taught by Augustus John. I wanted to carry on in that vein but it came as a shock when I left school to discover that painting skills were not only no longer taught but were positively discriminated against. A lot of muddling through went on in my life after that, with the emphasis on ‘muddle’. I kept on painting and started professionally in 1987. I was lucky to meet the Scott Boltons, who gave me great encouragement and invited me to exhibit at The Summerleaze Gallery in Wiltshire. Many group, joint and solo exhibitions there followed over the years.
I have continued to develop my painting and learnt by doing it and by reading lots of books and looking at many paintings.

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